What does the E icon mean in VK music?

What does the "E" icon mean in Apple Music?

The collection of music that can be found in Apple Music is simply impressive and, as you understand, you can find songs of absolutely any nature.

The symbol “E” means “Explicit” and in simple terms, you can find this icon in all albums and songs that contain profanity.

So if you are not yet 18, then you are probably the one who has this kind of content blocked. Perhaps you have enabled this function by mistake, and if so, then read on.

Boom application for downloading and listening to VK songs

The Boom application is a VKontakte partner that helps legalize music and takes an active part in the development of the entire service. The Boom application allows you to download tracks, after which you can listen to them without a connection. Subscription to VKontakte music also applies to this application.

This program has special sections with new products, as well as recommendations. There is another significant advantage - it is possible to cache content. And the feed reflects posts from the user’s friends, groups, and public pages where the composition is attached.

According to many users, the application is not finalized. Here, when searching, original compositions are not separated from remade ones added by other users. As on the page of social networks, here you can hear instead of the original Lady Gaga - a weak-minded “repik” of some teenager.

The developers have announced a large number of functions and capabilities of the application. Among them are a player with an equalizer, top new songs on the main page, smart search with many filters, saving songs to a device or hard drive, and creating your own collections. But users received the application rather coldly. It only scored 1.9 on the Google Play Store.

Boom app

What does the letter “e” mean in VKontakte audio recordings?

The latest updates to the official website and applications of the VKontakte social network have made adjustments to its work. Now on the service:

audio and video files are censored;
there are time restrictions on listening to tracks;
the copyrights of owners of music and video compositions are reliably protected;
it is possible to download and send voice messages (without censorship);
The quality of downloaded content improves.

Many users ask if the letter "e" is a misspelling. But there is no room for mistakes here. The letter “e” in VK audio recordings means the word “Explicit” (explicit, frank). In turn, this will mean that the musical composition has an age limit of at least 12 years, since its lyrics contain informal and profanity. Some artists circumvent censorship by recording the same track using a lighter version of the lyrics. In this case, the logo is not superimposed.

Karamzin's influence on the letters E and E

The letter Yo in written form appeared much later than the emergence of Cyrillic writing, although it has been present in Russian speech since ancient times. Only at the beginning of the 18th century did Princess Vorontsova-Dashkova raise the question of creating a letter that would reflect the peculiarities of Russian pronunciation. They created a rule: the letter E was introduced into the alphabet.

In 1783, the letter “е” was recognized as official.

After the adoption of the provision on the written recording of Russian pronunciation, it was necessary to popularize the new letter and introduce it into its spelling. This was done by the linguist and critic Nikolai Karamzin, so many people attribute the creation of the letter “e” to him.

First of all, he published a collection of poems, in which he replaced the word “tears” with “tears”. As you can see, in contrast to modern trends in writing letters, “E” was not used in place of “ё” and had other features of pronunciation and writing.

Although there are studies by linguist V.T. Chumakov, who claim that the letter “e” was first used by the poet I. Dmitriev. However, this version has not become widespread among historians and linguists.

It was Karamzin who popularized the new letter: he simplified and shortened the spelling of words, thus making the prospect of studying the written language of the Russian language simpler and more understandable. As Karamzin planned, the letter “e” entered into common use.

What do those "E's" mean in iTunes?

OLYA Lately, analysts have been predicting the imminent collapse and fall of Apple Corporation. Many believe that the course chosen by the company's managers is fundamentally wrong and will soon lead to failure and a fall in shares. Fans of the corporation are strongly attached to the company itself. The Apple brand means more than just preference in choosing equipment. As long as the power of the bitten apple remains strong, there is no need to talk about the collapse of the company. When analysts say the company is about to fail, Apple's financial results are clear evidence that they are wrong.

Benefits of VKontakte music

Despite the fact that recently the administration of social The VKontakte network is increasingly restricting access to popular music, but the service still remains quite popular for many. It still houses the largest archive of music from around the world. Including works by beginning performers. When compared with other services, VKontakte has the softest restrictions on music (the letter E in VK music, in other services this can mean blocking), and the price of a paid subscription to content remains the lowest.

The letter “e” in VK audio recordings can puzzle any active user of the social network. This logo had never been seen before, but the period of constant modernization of the service required the introduction of new standards for its operation. In fact, the icon is not a restriction on listening to a song, but formally it indicates a certain category of listeners and restrictions for other users.

Why is the E sign needed in VK near the song?

The purpose of flagging songs containing obscenities is to protect fragile young minds from being exposed to such content.

But, in practice, this only attracts the attention of schooltrons and can produce the opposite effect from the expected one.

I hope the article “What does the icon with the letter E mean in VK music next to an audio recording” was useful to you.

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7 Facts You Should Know About Digital Music Quality. One of the key aspects of a positive music listening experience is the quality of the recording and the quality of the sound that we enjoy. This is a very speculative topic, pitting technologies, devices and, first of all, the listeners themselves. The mass of ordinary people are opposed by audiophiles of all stripes with views of varying degrees of radicalism, but with an equally high level of rejection of the habits of their opponents. Joining this crowd of connoisseurs of $500 cables, tube amplifiers and high-end stereo systems are well-respected artists and producers who explain that music should sound great, that it did at the time of recording, but with the advent of the digital era (then There is the dominance of audio file compression and the universal portability of playback devices) the quality of music is inevitably deteriorating, and we generally have to do something about it. Stop the volume race or buy expensive CDs, get a player, amplifier and speakers in decent condition, for example. They think we're stupid for buying MP3s from online retailers like iTunes. Who listen to satellite and Internet radio. Who are exposed to fresh music every day on popular digital audio platforms. Who are content with sets of DJs playing from flash drives. But these “nuances” not only do not prevent us from listening to a huge amount of music using the above methods, but also enjoying it. There is no doubt that the quality of the music plays an important role. DJs, for example, are well aware of this, working with musical material much more closely and closely than the public. There is a difference between a specially compressed MP3 file and its source on a CD - that's a fact. However, the authoritarian tone of audiophiles and manufacturers of expensive musical equipment should soften, and the rhetoric should become more down-to-earth and closer to the average consumer of music products. We decided to collect 7 facts about sound quality that will slightly clear the clouds over digital formats and portable audio. 1. The file format does not play a decisive role. What the producer of a track does with it in the studio is a thousand times more important than what format the result of this work will be encoded into. You can’t make candy out of crap: a decent track with an artistic message, correctly produced, mixed and mastered in an acceptable dynamic range (where you haven’t gone overboard with compression, first of all), will sound better even on unimportant speakers than a boring, gray, poorly mastered track , even if you listen to it in lossless format on a fancy stereo system. Always. This should be obvious to everyone. 2. Compressing the file size by 80% does not reduce the audio quality proportionally. When you compress digital audio, you get rid of the bulk of the ballast without the slightest impact on the audible quality of the music to the human ear. This process is called lossless compression (much like RAR or ZIP files). If you want to reduce the size of an audio file even more radically, you will have to shred the source and its sound forever - this is already a case of the notorious “loss of quality.” Yes, the track undergoes irreparable changes as a result, but people too often add to the darkness by claiming that this happens indiscriminately. It's time to admit that most people can't hear some of the details on a recording. Our ears simply cannot compare with the hearing of dogs and other animals. You can get rid of a huge amount of side information in audio and no one will even notice the difference. This is psychoacoustics in action, and this is how lossy audio compression works. There is a certain threshold below which the difference begins to be heard (an MP3 with a bitrate of 96 kilobits per second cannot be compared with an analogue of 320), but this does not mean that the myth about the relationship between the percentage of compression and the final result is true. It is a myth. 3. People get the most pleasure from life at moments when music is playing of less than the best quality. Life story. In the 90s, the conventional hero of the article went to an illegal rave, partied all night long and decided that he would make DJing his life’s profession. A brave step and a fateful decision. But what happened to the sound at that party? Everything was bad, he remembers. The needle flew off, the untuned equalizer and amplifiers periodically turned off. Has anyone given a damn about this? Hardly. Have you ever been to a party that sounded bad but changed your life? Did you dance all night in front of shitty speakers in a strange club and leave in the morning with your future life partner? Did you turn on the shortwave radio in the car, and then an old hit played like a balm for your soul and saved you from a rash act? Or the traffic jam no longer seemed so dull. Played your favorite song until the tape broke on your pocket cassette player and decided to form a band? Have you been listening to a playlist on VKontakte all damned stuffy summer and remember this time for the rest of your life? Played a set with terrible sound, burning with shame, and then a line of people lined up to you claiming that it was the best party ever? Congratulations! You are one of the 99% of real people in real life situations who have experienced something involving music. Moreover, the music is of such quality that the remaining percentage of purists and snobs are ready to burn you to ashes. These guys believe that you need to worry about the audio format and dynamic range of someone else's equipment. It's better to live a real life. After all, it is quite short. 4. The pursuit of the ideal is harmful. Each of us wants the world and its components to be ideal - this is an axiom. Any DJ wants the acoustic systems in clubs to be connected and tuned, each track in the collection to shine from high-quality mastering, and so on. But only the results of the work done count; each of us is forced to make compromises every day. So, oddly enough, this also applies to the quality of music. We already noted at the beginning that this is an important point, but not so much as to deny the space of options and decision-making opportunities - perfectionism has absolutely no place here. For example, an original underground producer uploads a fresh track at 128 KBPS, and it will definitely tear up the crowd. A dilemma arises: to play it or not? Purists will answer in the negative. But you need to be honest with yourself and judge by the emotions you want to convey through music. If the combined weight of factors outweighs five minutes of less than stellar audio in your set, you can put the doubt to rest. Don't let dogma and the false pursuit of ideals harm your mission as an artist. You will be able to buy a better quality version later. For now, just do your thing. 5. Music is created with an eye to the playback environment. Good sound producers listen to tracks as if they were making them on every possible system: bundled earbuds, cheap plastic computer speakers, and so on - with the thought of how other people will ultimately listen to it. This brings us back to the first point - the work of the producer and mastering engineer decides much more than secondary aspects. Club tracks with a lot of sub-register bass don't sound good on the radio, and loud hooting radio mixes with a squeezed dynamic range don't sound good in the club. And the file format has nothing to do with it. Producers are forced to make compromises - it's an integral part of their workflow, and no expensive equipment or ghostly software can affect it, and neither can you. 6. The “Golden Age of Audio” is a fiction. People too often exude sentimentality or repeat mantras about how good things were in the past. Which, in general, does not stand up to criticism: stereo as such did not exist until the end of the sixties, and the golden era of pop music in its decline gave birth to such sick formats as eight-track cassettes. Amplifiers and monitors have changed dramatically for the better, keeping pace with technological progress. Yes, in the 70s and 80s you could get good sound from well-pressed records, but in proportion to them, there were a lot of terrible pressings and editions in circulation that sounded simply disgusting - ask DJs and older music lovers. 7. Technology comes first. Thanks to technological progress, we can listen to more music than ever before - whether this is good or bad, although we cannot say yet. Most adequate music fans happily listen to a variety of genres and styles in different formats on different devices and have fun. Because the main thing is the music, if it is good in itself, then you can ignore the background noise, and the interference of the shortwave radio, and the loud club stereo system, and the excessive volume. So, gentlemen, high-brow audiophiles and manufacturers of expensive equipment, we perfectly feel the difference. A burger eaten on the run on Wednesday does not prohibit you from visiting a gourmet restaurant on Saturday. Everything has its place and time Wireless audio systems, streaming, portable players... everything has contributed to making music accessible to many more people than before. But even such positive dynamics are met with fierce resistance from fanatics of deluxe sound at any price and sacrifice. You have a choice between two completely contradictory situations. The first finds you in an acoustically muted listening room with a thousand-dollar stereo playing while your friends stroke their beards and twirl their mustaches while praising the “intoxicating” sound of the hi-hats and the percussive sounds of the double bass player. And in the second, you're tearing up a packed little bar, playing your set on crappy equipment at top volume, with girls starting to climb up on tables because you just played a crazy remix at 128 kbps. After the Fact If you want to experience the best audio quality possible, listen to a bird singing outside your window, a guitar being played, or someone singing in the same room you are in. Compared to the harmony of nature and natural sound, any recording is already a compromise. And manipulations with psychoacoustic characteristics, affordable devices for playing music and periodically mediocre sound are also a compromise, but of a different order. By the way, remember such things as demos on cassettes, four-track studio ports, copies from copies and other delights of the end of the last century? Entire scenes were built on these unshakable realities. Just imagine if everyone only accepted and worked with crystal clear audio from masters. We would likely never have witnessed the indie revolution and the radical changes that followed.

I took it from here: From this site I download music from this maestro. I recommend it to all lovers of beautiful and not “dirty” music. Here's one, for example:

How is the letter E written?

The capital letter E and the capital letter E have different spellings. The printed letter E is written like this: one vertical line and three horizontal ones, located at the top, bottom and center - this is how the capital letter E is written. The printed lowercase letter E was written in a similar way.

Although in modern typewritten text it has been transformed and has become similar to a capital letter, the upper horizontal line is rounded, forms an oval with the middle one, and the lower line also takes on the outline of a semicircle.

The capital letter E: the vertical line is rounded, the letter forms two semicircles, reminiscent of the number “3” turned to the right. The large letter E on a letter acquires individual author's features, so its spelling may vary.

The lowercase letter E is more difficult to write: the first and second lines form a circle or oval, slightly raised upward, the bottom line is rounded into a “tail.”

To create the letter E, dots are added to these spellings at the top.

This letter is one of the most difficult to write among primary schoolchildren.

The letter E in Apple music

A similar situation exists in Apple Music. Here the letter E indicates obscene language used in the song, and such a video may subsequently be deleted or blocked by the administration.

To bypass the blocking and listen to prohibited content:

go to the settings of your Apple device;
select the “Basic” section;
then find the item “Restrictions”; Restrictions section on an Apple device
if you have previously used restrictions on this device, then you already have a password, you just need to enter it, if not, create it;
after you are logged in, find “Allowed content”, where podcasts, music are located. Clean will most likely be installed here, but you need to activate Explicit. Podcasts, Music section on your Apple device

Now go back to Apple Music and you can try opening any song marked Explicit. It should open up. Done, any content with the letter E is available to you.